Sound System Culture – on the radical roots of rave

Sorry for the short notice.

Tomorrow Friday my talk at 18:00 will be on the Insurrectionary Politics of Dancing, and dj set from 21:30 – 23:30 of Afro-centric Breaks and Jungle.

 

soundsystem flyer
“Understanding the sound system as a social space, we want participants of different genres and scenes (from roots, dub and contemporary bass music to techno/tekno) to gather and exchange.

In a colorful program of exhibitions, live-performances, workshops, talks, discussion and diverse music Berliners and international artists are entering into a dialogue and are actively shaping the event.

Exhibitions:
– Roots of sound system music & culture – including audio examples and open dialogue by David Riley (Supported by Mr. Glue)
– UK sound systems in the 90ies – photos and input by Ed Twist

Workshop:
– “Listen! Material and Loops – A hearing experience” by E.L.L.I.

Discussion Panel (FLTI):
– “Sound Systems, Rave Collectives and Gender” by Meetup Berlin & PRIZM:Berlin

Talks:
– The revolutionary essence of social dance by He Zhao
– Sound system culture, hardcore techno and the Berlin Fuckparade by Bianca Ludewig
– Sound System Cultures of the Black Atlantic: Angolan Kuduro by Stefanie Alisch (Humboldt Universität zu Berlin)
– Rave & psychoanalysis by Feli Concat
– Musique Concrète Jungle – spatial delivery research by Lukas Jakob Löcker

Performance:
A/V synth performance by SAOU TV & Kevin Koen

Music:
Benjammin
– Chantal
– Dj.Pult (do not dance)
dj zhao
– Feli Concat
Gretchen Bazooka
Hägen Daz
Jahminta Zulu
Jah Forcefield (Bademah & Zentash Gigawatt Dubz)
– Jukebox Utopia
Mila Chiral – live
– One Woman Army in Dub
Pmp Mzk alongside Tcp (Harlekinsound / Certain:Dubs)
– Smi
– Spiriel
– Aporia Barrage
Token

Supported by:
– VJ Flimmerkiste
– A-Sound System
– Triple P Sound System

Dance Dance Revolution: The Insurrectionary Politics of Shaking It

ddr.jpgAnarcho-Communist mega-party-mix: end of article

“If I Can’t Dance, I Don’t Want to Be Part of Your Revolution”

–Attributed to Emma Goldman

“Music is a weapon, a real weapon, in a concrete sense.”

–Desmond Tutu (1)

“Dancing is the remedy of resistance, the art of the marginalized and dispossessed.”

–Marc de la Maison (2)

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Official Ngoma Avant Classical List

Last year on this day i made the following post on Facebook:

Deleting everything from Avant Classical collection which i don’t LOVE listening to. DON’T GIVE A FUCK how highly regarded it is. Sorry Luigi Nono; sorry Brian Ferneyhough, sorry Georg Friedrich Haas. Some to all of your material has got to GO.

And some people requested screenshots.

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Ways of Life 3: African Anarchy

There are African histories of egalitarianism and democracy independent of, and predating, modern Western progressive movements.  It is time we revived them from systematic displacement and erasure, because they may hold the key to our collective future.

treecontemporary Northern Ghanaians holding council.  Photo courtesy of Marc Becker

Indigenous Democracy

An epiphany of cosmic proportions dawned upon me during a taxi ride from Kampala International airport to the city last year.  My incidental travel companion was the Ugandan film maker Dolman Dila; and in his unhurried, quiet, and measured tone, this is what he said:

“Of the 53 major “nations“ in the region today known as Uganda (name arbitrarily taken from one of them, Luganda, by the British), only 10 featured any kind of hierarchical political structure.  The majority of them, with population size from 1 to 3 million, lived in entirely egalitarian organizations, voluntary cooperatives, and share/gift economies, without centralized political power, high levels of inequality, or warfare.  For instance, Acholi, the 2nd largest society in Uganda, lived in communal, collaborative, and mutualistic arrangements.  In these societies elders and experts were respected, and held influence, but did not have exclusive decision making power over others.   In fact, the people of these societies having almost entirely no concept of power, control, domination, and subjugation was a significant factor for the ease with which Europeans conquered these lands.  When an Englishmen said to them „I will rule this territory from now on“, they probably looked at each other, shrugged, and with such trust toward their fellow men, as strangely dressed as these were, said something like:  “We don’t know exactly what that means, but why not, it should be fine.‘“

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WAYS OF LIFE 2: Another Perspective

In recent times I have seen many articles such as Europeans did NOT bring shoes to Africa, The forgotten masterpieces of African modernism, and 11 Ancient African Writing Systems That Demolish the Myth that Black People were Illiterate.  On one level I applaud efforts that dispel myths of the under-development of African cultures.  But on another level I think articles like this are missing a crucially important point: older cultures in Africa and other places developed in different ways, formed different world views, with different concepts and different methods, cultivating different ways of life, which are often, objectively speaking, much more sophisticated, efficient, and effective, than Europe techniques.  “Pre-civilized”, pre-modern, and non-Western cultures must be evaluated in their own context, on their own terms, according to their own criteria, and can not be judged according to “civilized” and modern standards, in congruence with Western definition of  “achievement” and “progress”.

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Sat: Savane / Sun: Rename

Screen Shot 2015-08-14 at 5.06.57 PMJoin us for ECK IM SAVANE at Promenaden Eck on Saturday night for a special night of Cosmik Grooves from the Motherland and beyond. The collectiv Tropical Timewarpwith BestMate? and Bela Patrutzi will heat things up with their impressiv vinyl collection and will give service with an Afro beat – Afro funk mix then Léon Leon from FINOW ZOO and dj zhao will take us deep into the night with their multi-dimensional drum science.

8:00pm – 5:00am
Promenadeneck Schillerpromenade 11, 12049 Berlin, Germany

Mstr.RenameAnd on Sunday, we come together for Umbenennungsfestival (renaming festival),on the block where the infamous Berlin Conference of 1884 took place, to enjoy the afternoon and agitate for refugee rights, against Pegida, and the changing of the historic “Mohrenstr.” (N***er Street) to “Nelson Mandela Strasse”. There will be many speakers and artists, and like last time i will contribute with a dj set and a talk on Culture as a Global Process and Dismantling Eurocentricity.

2:00pm – 8:00pm
mohrenstr, berlin 10117 Berlin, Germany

First meme ever / Autumn in Uganda

AfricaPicasso_meme

So that’s the first meme i’ve ever made, hope it goes “viral” 🙂  What do you think?  GF thinks it’s too “polarizing”, but i think it’s kind of a necessary illustration of the false dichotomy.

Also, for the entirety of the month of October I will be touring in East Africa:  mostly Kampala and Nairobi, playing at festivals and clubs, and working with local musicians. Super excited!!!

Racism: A Basic Diagnosis

Race-760-x-381

Around the globe today, sparked by recent incidents of police murder and brutality in the US, with immigration and refugee issues intensifying along many borders, race and racism is again making headlines, a central topic of discussion across all sections of society, and new spaces have opened up for supplying ourselves with the knowledge and tools to treat this plague of the mind.  But before we can alleviate symptoms, undergo operations, toward healing and restoration, we must first examine its roots, study its nature, and identify precisely what it is not, and what it is.

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Guardian on UK Funky

The Guardian fails to pin-point the unique significance of Funky: it was the very first time that explicitly African rhythm patterns had been prominently used in, and defined, an entire style of “Western” dance music.  This failure is part of a larger pattern.   In the following sentence, the journalist clearly denigrates African-ness as the least significant aspect of Funky, in typically Euro-centric fashion: “…’a make-do sound’, patched together by and for an uneasy alliance of shiny-shoes “real house music”-lovers, grime kids craving something less macho, hipsters looking for a new buzz after dubstep, and those raised on the riotous party sounds of dancehall, soca and west African music.” ——— the influence of African music is a less important factor than “real house”, than grime, than hipsters (!); and also less important than Dancehall and Soca. And in this sentence, African-ness is completely omitted: “All were united by a pumping house undercurrent, clattering grime and dancehall rhythms, and car-window-rattling bass” ——– Since Funky started to get coverage, journalists have referred to the style as mostly or entirely Caribbean derived — But if you know music, you know the beats in UK-Funky is much, MUCH more derived from African music than from Dancehall or Soca.

No Drums Allowed: Afro Rhythm Mutations in N. America (re/x/post)

nodrums

Street bands playing Rock’n’Roll in Berlin, Marvin Gaye in a local bar in Thailand, Nas blaring on the streets of Johannesburg, House Music in the mega-clubs of Shang Hai – where ever one goes in the world today, no effort is needed to find African American music and its derivatives.

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Cut Hands: Between Silence and Violence

A follow up to Josh Hall’s piece “Fascism and colonialism in the work of Cut Hands and Blackest Ever Black”  – published here because i doubt any music publication is willing to address these very serious issues.

Even if William Bennett, a UK citizen, was not aware of this method of punishment for unruly African subjects having been administered by his own government in Kenya, about which more and more is surfacing today, he was surely aware of King Leopold’s standard practice on Congolese rubber plantations when he chose the name Cut Hands.  (a wide spread colonial practice also popular in the Americas (for instance in the North American South, Cuba, Brazil, and Haiti), for crimes such as playing drums)

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Music Is Not Music

“… with people who are into music, for some it is about partying, for some it is about relaxation, for some it’s a spiritual thing, for some it’s an intellectual thing, and for others it’s an emotional outlet, etc. For people like me, music has to be about all of these things, as much of them at the same time as possible. Like in many African traditions: Music is Not Music.  It is play, it is mathematics, it is magic, it is politics, it is get-your-freak-on, it is spirituality, astronomy, sports, theater, intoxication, sensuality… Music embodies all of these, and performs all of these functions, often at the same time.”

“… People sometimes tell me that I’m “open minded”. I guess because i’m a Chinese dj who works with African music. But no. Fuck that. I’m not “open minded”. I only recognize quality where ever i find it, and don’t allow myself to be restricted by bullshit boundaries, by incidental, meaningless, senseless borders.”

Rest of it here – i do try to say different stuff at these things so y’all don’t get bored.

The Real Roots of Kwaito

The few times western publications have written about Kwaito and South African House, styles which have thrived for many decades, the story is almost always told in terms of a unidirectional migration of House Music from the United States to Africa.  This is problematic because 1 central factor is not only understated, but entirely missing, including from the South African voices sometimes interviewed.

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Sound culture in the Heart of Light

and here is a repost from the old blog, of classic Congolese Rumba, literally the sweetest sounds i have ever heard.

tracklisting: volume 1 / volume 2.

Big big thanks to Bolingo69 for the original upload.  It is criminal that these heavenly sounds are out of print and commercially unavailable anywhere.  Here are both volumes together on mediafire.

And I’ve been meaning to do an official NGOMA volume of modern dance floor Soukous for some time…  it will happen soon.  But until then, there are lots of awesome tunes in this episode of Radio Ngoma:

Report from South Africa

Additional shows:

Fri. 28/09 —- Disofeng Dobsonville
Sat. 29/09—– Club Ozone (N. West)

Sat. 29/09 — Panyaza (with Zinhle)
Sun. 05/10 -– Panyaza
Sat. 06/10 — Vintage life style (pimville)
Sun. 7/10 -— Mofolo Park Stadium (w/ Nick Holder)
Sun. 7/10 -— Pandora Chesa Nyama (Ekhuruleni)
Sun. 7/10 -— Liquid Chef (Rosebank)

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(also published on This Is Africa.)

downtown Johannesburg

At once after touch-down i noticed the modern, international air of Johannesburg, which looked wealthy and stable; and of the friendly, smartly dressed and hip Africans around me, who seemed as informed as anyone in the East Village or London.  But soon a more complex picture emerges.

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Interview – This Is Africa

“In Europe, rhythm was seen as something “primitive”, “animalistic”, and characteristic of the music of “savages” and the lower classes. These attitudes still persist today: serious music is for silent contemplation, and dance music is largely seen as “entertainment for drunk idiots’. But the opposite is true: European classical music was developed precisely as pure entertainment for the rich, and dance music is descendent of the true musical and cultural heritage of our species.”

from interview by This Is Africa.