Join us for ECK IM SAVANE at Promenaden Eck on Saturday night for a special night of Cosmik Grooves from the Motherland and beyond. The collectiv Tropical Timewarpwith BestMate? and Bela Patrutzi will heat things up with their impressiv vinyl collection and will give service with an Afro beat – Afro funk mix then Léon Leon from FINOW ZOO and dj zhao will take us deep into the night with their multi-dimensional drum science.
And on Sunday, we come together for Umbenennungsfestival(renaming festival),on the block where the infamous Berlin Conference of 1884 took place, to enjoy the afternoon and agitate for refugee rights, against Pegida, and the changing of the historic “Mohrenstr.” (N***er Street) to “Nelson Mandela Strasse”. There will be many speakers and artists, and like last time i will contribute with a dj set and a talk on Culture as a Global Process and Dismantling Eurocentricity.
2:00pm – 8:00pm
mohrenstr, berlin 10117 Berlin, Germany
Rougher and tougher twin of the previous DRUM volume, Amandla explores the somber and serious side of contemporary electronic dance music from South Africa and Angola. In 2013 capitalist brainwashing and new waves of cultural and economic imperialism replaces the overtly oppressive policies of Apartheid and colonialism; inequity, injustice, and corruption still pandemic on the African continent; but the indestructible beat of Soweto, Pretoria and Luanda lives on. These new urban sounds express the frustration, longing, joy and hope of a new generation, the continuing struggle and POWER of the people. Rhythm as a weapon, music as a weapon: a real weapon in the concrete sense. Africa! Mayibuye! Amandla!
Umlilo means fire in Zulu, and this mix takes us back to the Dirty South for a scorching ride through raw township sound. Exchanging smooth for ruff, Umlilo focuses on the connection between ghetto Rap and current Electro, between modern SA House and its Kwaito roots.
Futurism in Africa never disconnected at all from the body: sound design does not become a solipsistic end in itself (even though every timber and texture is perfection itslef); song form stays 100% intact in the electronic club music format; and the beats never bang on aimless and without purpose — robust machine groove reinterprets but absolutely incarnates the magic and essence of timeless rhythmic tradition.
regarding the first song: what kind of church drops sick bass like this?? (sign me up!)
01 Dj Killer – Church Song feat. Chaka Chukwu
02 Big Nuz – Superman
03 Xavatha (Woza Chynaman)DJ Clock ft. Big Nuz, Tzozo & Sox
04 Big Nuz – Ungesabi (remix)
05 Zola – Khokhovula
06 Big Nuz – Izinja feat Tira and Tzozo
07 TKZee – Fella Kae
08 CNDO – Seducer feat. Tira & Big Nuz
09 Mgo – Yes
10 DJ What What – Unknown
11 Unknown – Woza Durban
12 Dj Sbu – Vuvuzela Bafana
13 Dj Vetkuk Vs Mahoota – Cina Feat. Dj Killer
14 Dj Skzi VS Big Dawg – Mbeleke
15 Dj Cleo – Egyptian Drum
16 B.O.P – Bop Killer [Featuring Zulu & Costa]
17 Dj Cleo – Akulalwa
18 Penny Penny & Joe – Nkosi
19 Mafikizolo – Sibongile
20 B.O.P. – Life’ Iskorokoro
21 Dj Cleo – Ndizayitya Lemali
Framing house music, perhaps the most depoliticized of all urban musics, whose narrative revolve around unreflective pleasure seeking, in a political context may seem incredulous to some. Yet this incredulity would be based on a superficial reading of the essence of house music culture, despite what it has become in the commercial sphere: in its very inception, the escapism into a fantasy hedonistic world was an expression of the underprivileged and marginalized, and the creation of a sanctuary of acceptance was nothing less than a political act of the oppressed and discriminated against.
Perhaps even more than Chicago or Detriot 67, the political dimension is deeply interwoven into the urban musical fabric of South Africa, and has profoundly influenced its evolution. Zulu protest songs live on through Kwaito, the first musical expression of a free South Africa, and from there the current House culture developed: if less overtly rebellious, it nonetheless retains in its beats and voices the spirit of revolt: the urgent and passionate expression of a people who have been subjugated for too long.
The Zulu word Ukulwa means war and struggle. and in this context it can only mean a war against oppression and the struggle for freedom and independence. Apartheid may have officially ended, but its myriad effects can be unmistakably felt in a slew of social problems which plague the nation today, from crime to domestic violence as result of the break up of families, from poverty to various hardships which come from an entire generation having been systematically deprived of formal education. Thus even while many positive things are taking place, as South Africa is surely rising as a proud modern nation, even as we rejoice in these blissful rhythms, we must remember this war, and both continue, and continue to be inspired by, this struggle against domination, against injustice: Ukulwa.
while staying in the same territory as 2, the journey is not the same, and many things make this one unique: the psychedelic motorik genius of Dj Clock’s “Durban Guitar”; the monolithic, earth shaking visions of Black Coffee; DJ Sdoko’s ominous Kraftwerkian phuture; Manya’s soul stirring take on traditonal Angolan melodies; a surprisingly wicked banger from the Dutch DJ Bigga (UK is not the only place currently Afro minded), and ending with a further reach of rhythmic diaspora: Sami vocal style from Mari Boine, reinterpreting the sound of indigenous Norway.
concerning the anti-apartheid and war samples used through out the mix: the struggle for freedom from colonialism is the context which gave rise to contemporary South African music: Kwaito was born amidst antagonism and bloodshed, and has led to the current house music scene. thus songs such as “100 Zulu Warriors” and the radio broadcast at the end should not be taken as an incitement of racial conflict (especially in light of last year’s wave of horrible xenophobia) but as a reminder of the political realities of the Apartheid era from which this music comes.
01 [SA] Andy X – Tech House
02 [SA] DJ Clock – Durban Guitar
03 [SA] Bantu Soul – Isgubhu
04 [SA] Blackcoffee / DJ Christos and Demor – Searching
05 [SA] Black Coffee – 100 Zulu Warriors
06 [SA] Black Coffee – Stimela (remix)
07 [SA] Thebe – Ugezi
08 [SA] DJ Fhiso – House Animation
09 [SA] DJ Clock – Move Your Body
10 [SA] DJ Clock – No Fear
11 [SA] DJ Sdoko – Boozoom Base
12 [SA] Double Trouble – Mamelodi Funk
13 [SA] DJ Tira and Bubzin – Beat Goes On (Iyo)
14 [UK] Don Haffer – Mad Fling
15 [ANGOLA] DJ Znobia – Afrosound
16 [UK] Ossie – Tarantula (inc Funkineven Remix)
17 [Peru] Novalima – Mayoral
18 [UK] DSD – Fruity
19 [UK] Footsteps – Baby Kinta
20 [UK] Roska – Tack Tiles
21 [UK] DJ Mystery – Changes
22 [UK] DJ Tremendous – Log 19
23 [HOLLAND] DJ BIgga – Boeke Anthem X [BRAZIL] Menor do Chapa – Familia Vida Loka
24 [UK] Unknown – Unknown
25 [SA] Unknown – Thumping
26 [SA] Mr Flip – The Wild Thing
27 [UK] Geeneus – Yellowtail
28 [UK] Headhunter – Birks Range
29 [SA] Shana – Uyangichomela
30 [SA] Bucie – Amadoda (Black Coffee remix)
31 [NORWAY/GER] Mari Boine – Vuoi Vuoi Mu (Henrik Schwarz Remix)
32 [SA] Dr Duda and Dr M-bee – The Gap Featuring Gina
33 [SA/US] Terre Thaemlitz / Radio Freedom (Anti-Apartheid Broadcast)
The drum comes from Africa, and also techno. Here is an extremely simplified version of the lineage: slave songs – blues – gospel – jazz – funk – disco – house – techno —- the circle is complete. After all, the 4 on the floor hypnotic groove can be found in the myriad styles of African music from every era. House and techno grew up in the northern hemisphere, acquiring a character a bit removed from the rich rhythmic traditions of the mother continent. But in recent decades electronic dance music has been developing in Africa, and a new wave of club music is blossoming and flourishing.
History was made in 2008 with Warp Records’ release of DJ Mujava’s Township Funk in Europe, and the world is slowly coming to grips with the awesome power of African electronic music. Motherland house and techno is spreading far and wide, forming the rhythmic basis for urban bass music in the UK and elsewhere: Africanized Killer Beats on the swarm!