Industrial nightmares and Shamanic visions collide in the club. Ancestral voices bleed through grids of the city. Diasporic sounds and mutant rhythms transformed by migrant movement, shaped by history. Fragmented Psychotropic Bass pulsating through the deepest valleys and highest crests of your mind, in the kaleidoscopic center of the omni-verse. RSVP on fb
Grounded in the rhythmic traditions and tonal language of North Africa and the Middle East*, Djinn Bass fuses Sufi Ritual Music and Club Beats, Sacred Egyptian Hymns and Abstract Dub, Classic Rai and Dubstep, Turkish Taqsim and Tech House, Moroccan Chaabi anthems and Tribal Electro. Ouds, Flutes, and Darbukas mix and blend with electronic pulse; vocal refrains underpinned by digital bass, sometimes chopped, looped, and dubbed out. Decidedly anti short-attention-span, as the FUSION series have increasingly become, the tracks are long because duration is essential for the ecstatic and immersive nature of this music.
01 Georges Kazazian-Sagate Tassabih + Moritz Von Oswald Trio – Pattern 4
02 Salam E Varzesh – E Bastani + Sideshow – African Cherry (Zhao Extended Edit)
03 Farhang Sharif – Pishdaramad Homayoun + J Kenzo-Conqueror
04 Yaşar Akpençe – Kings of Tomorrow + Jason Cheiron – Afrotastico
05 Unknown – Sultana + Doomwork-Isla
06 Flutes Gasba Du Nord – Est De L’Algerie + Uncle Bakongo – Makonde
07 Es’lam Yfattar_VS_Dj Gregory-Elleeol Ritual (Zhao Percussive Mix)
08 Cheikha Rimitti – Mohammed Ay Sidi + Dj Jeroenski – African nights + Roska – Squark
09 Tabla Voyage – Tablat Barhum + Roska – Jackpot
10 Nass El Ghiwane – Salif Albattar + Zombie Disco Squad – The Dance
11 Nass El Ghiwane – Iahmami + Raw Artistic Soul-Keep On Shining
12 Scarab – Fall of The Towers of Convention + Dead Can Dance – Saldek + Foiledtorsos – The Specialist
13 Ali Hassan Kuban – Walla Abshero + Malente & Dex – Bangkok (James Braun & Dan M Remix)
14 Birol Yayla & Şenol Filiz – Outro
*for a different take on North African and Arabic flavors, get into NGOMA 9.
NGOMA 9 focuses on North Africa and the Middle East: on the other side of the Sahara, African rhythms become more angular, colder; and the tones deeper, ominously darker, in what we in the west call “minor keys”. Mostly comprising of killer classics from several different eras and regions, sometimes re-fixed and mashed up: Egyptian darbuka meets Kraftwerk, Palestinian electric oud spiced with Afro drums, Israeli folk music with the moonbah treatment. Also included are some relatively contemporary groups like the unique pan-Arabic electro-dub outfit Checkpoint 303, as well as diasporic sounds like Algerian expat Hiphop made in France.
Algerian and Moroccan Rai is central to this mix, including Cheikha Rimitti’s huge hit Ana Ou Ghzali, and 2 awe inspiring pieces by Cheba Fadela which were re-issued by Factory Records (Manchester) in 1986. Songs by Hassan Houssini, Reda Taliani, and Cheba Zahouania in a more traditional desert tribal style are more energetic, and make up the ecstatic frenzied peak. Rai is an immersive experience: once you are in the grips of this music and its trance-like states, it is a force which will not let go, but keeps spiraling, like the dervishes, for ever — music non stop.
The Arabic title means “Eternity”, and it describes both the timeless quality of these grooves, as well as the mystical feeling they sometimes encompass: transcending the here and now, and touching, if for but a few fleeting moments, something outside our human limitations, constant and without end.
01 [Morocco] Nour Eddine – Talaa Albadrou Alaina (The Full Moon) (intro)
02 [UK] Muslim Gauze – Afghans (Rev. V.01) (transition)
03 [Palestine/Tunisia] Checkpoint 303 – Hawiya Dhay (Dj Zhao Afro Drums edit)
04 [Egypt/Germany] Hossam Ramzy + Kraftwerk – A Step in Time (Dj Zhao Non Stop Edit)
05 [Israel/France/Unknown] Ora Sittner & Youval Micenmacher – Debqà Rafiah + Peter Bucci, Sammim – Hay Consuelo (Obeyah Edit)
06 [Algeria] Cheikha Rimitti – Ana Ou Ghzali
07 [Egypt/Germany] Hossam Ramzy – Fallahi Rhythm (Desert Rhythm) + Furesshu – Tel Aviv
08 [Morocco] Oriental Angel – Jammin With the Snake
09 [Thurkia/Unknown] Harem – Darbouka Solo + Band Apach – Desert Energy
10 [Lebanon/Australia] Wadih Mrad – Da3 El Hawa + Sampology – Piggy Bank (Gnucci Swick Remix)
11 [Unknown] Unknown – Saida
12 [Iran] Yasmin – Kalil I Hila
13 [Lebanon] Said Mrad – Esmerim
14 [Algeria] Najim – Raha Walete
15 [Algeria] Rohff ft Mohamed Lamine – Trop D’energie
16 [Algeria] Reda Taliani – Partir Loin
17 [Morocco] Rayan & Rima – Dana Dana
18 [Algeria] Cheba Zahouania – Yana Yana
19 [Morocco] Hassan Houssini – Eleil Eleil
20 [Algeria] Cheba Fadela – Ateni Bniti (Part One)
21 [Algeria] Cheba Fadela – N’Sel Fik
22 [Algeria] Warda Djaou – Lamouni
23 [Morocco] Nour Eddine – Talaa Albadrou Alaina (The Full Moon) (outro)
The drum comes from Africa, and also techno. Here is an extremely simplified version of the lineage: slave songs – blues – gospel – jazz – funk – disco – house – techno —- the circle is complete. After all, the 4 on the floor hypnotic groove can be found in the myriad styles of African music from every era. House and techno grew up in the northern hemisphere, acquiring a character a bit removed from the rich rhythmic traditions of the mother continent. But in recent decades electronic dance music has been developing in Africa, and a new wave of club music is blossoming and flourishing.
History was made in 2008 with Warp Records’ release of DJ Mujava’s Township Funk in Europe, and the world is slowly coming to grips with the awesome power of African electronic music. Motherland house and techno is spreading far and wide, forming the rhythmic basis for urban bass music in the UK and elsewhere: Africanized Killer Beats on the swarm!