No Drums Allowed: Afro Rhythm Mutations in N. America (re/x/post)

nodrums

Street bands playing Rock’n’Roll in Berlin, Marvin Gaye in a local bar in Thailand, Nas blaring on the streets of Johannesburg, House Music in the mega-clubs of Shang Hai – where ever one goes in the world today, no effort is needed to find African American music and its derivatives.

Continue reading

a paper on music and racism

musicology article from Black Music Research Journal published by Columbia University, detailing the inherent contradictions and dynamics within 2 post-war British youth cultures centered around Afro-Caribbean and Afro-American music — the Skinhead movement and the Northern Soul experience.

Voices of Hate, Sounds of Hybridity: Black Music and the Complexities of Racism (PDF: 1MB)

probably nothing mind shattering and even if none of it is news to you, still some interesting first person accounts of what went on in London and other places in the 60s and 70s, perhaps giving us insight into the political dimension of music and its consumption in our own time.