Last year on this day i made the following post on Facebook:
Deleting everything from Avant Classical collection which i don’t LOVE listening to. DON’T GIVE A FUCK how highly regarded it is. Sorry Luigi Nono; sorry Brian Ferneyhough, sorry Georg Friedrich Haas. Some to all of your material has got to GO.
And some people requested screenshots.
To clarify: the kinds of Modern Composition i love ranges from the melancholic to the transcendent, from meditative to other worldly, from elegiac to uncompromising, but is always BOTH formally interesting AND beautiful. My idea of beauty is both more expanded and removed from the bourgeois Modern Classical cannon: I hate anything Phillip Glass did after the late 60s, for instance; and you won’t find much of the ECM ilk, such as the Arvo Paart kind of trite andderivative pseudo-depth in here (although a few of Paart’s pieces are nice).
A few all time favorite composers are Giacinto Scelsi, Toru Takemitsu, Spectralists like James Tenney and Tristan Murail, and maybe not quite fitting in the “composition” category of Just Intonation such as La Monte Young.
What is most definitely not here is head-up-arse unlistenable anti-human rubbish like 12-tone shit, as well as a lot of difficult-listening things i greatly admire, but simply have no more need to listen to, such as much of the work of people like Xenakis and Stockhausen. So no frustrating exercises in impenetrability, and no overtly abrasive and disruptive things that will ruin a 30 minute train ride 🙂 A few snobs and musical edge-lords out there might be calling me chicken, to which i respond with both “you are wrong” and the immense cosmic ocean of fucks that i do not give.
So here they are, 2 large screen shots (download to see them in actual size):
1-4 – Overview of main folder: Blue means significant artist usually with gargantuan bodies of work.
the others – A few of the significant folders in there expanded: again Blue means major artist. (Everything in the “Flute Bag” is fucking brilliant)