Grounded in the rhythmic traditions and tonal language of North Africa and the Middle East*, Djinn Bass fuses Sufi Ritual Music and Club Beats, Sacred Egyptian Hymns and Abstract Dub, Classic Rai and Dubstep, Turkish Taqsim and Tech House, Moroccan Chaabi anthems and Tribal Electro. Ouds, Flutes, and Darbukas mix and blend with electronic pulse; vocal refrains underpinned by digital bass, sometimes chopped, looped, and dubbed out. Decidedly anti short-attention-span, as the FUSION series have increasingly become, the tracks are long because duration is essential for the ecstatic and immersive nature of this music.
Traditional and contemporary music from 5 continents, 25 countries, mashed up, refixed, and dubbed out.
Whereas the first Fusion volume was global traditional music fused with Dubstep and Grime, this second one clocks in at 105 BPM and explores the marriage of ancestral sounds and mid-tempo dancehall/moonbahton/hiphop derived beats. Some of the juxtapositions include Mongolian Throat Singing with screwed Techno, Uzbek vocal pop with Norwegian Skweee, Tribal African chanting over Hiphop, and Brazillian tinged percussion with Angolan Urban Beats. The mood is often overcast and cloudy with occasional bursts of heavy thunderstorms.
The FUSION series is decidedly more for listening compared to the dancefloor oriented NGOMA series, but there are certainly some bangers in here for you to scrunch up your face to, alongside more tripped out and lyrical numbers.