JUJU is back up in your ass with the resurrection, mad rhythm science, next level vibrations.
Juke / Jungle / Ghetto House / Grime / Afro-Tek
From 4 corners of the world come 4 mutants that have evolved in different ways but on the same path of poly-rhythmic bass, meeting on this night in Berlin to examine various MUTANT sonics, and create oceans deep, tornados strong vibes without borders that will rearrange the DNA of human kind for ever.
Why do various modern beats sound the way they do? How are they still unmistakably connected to ancient rhythmic roots? How did we get from slave songs to “untz untz” club music? In what ways have identities and cultures been forever changed with various waves of globalization? These are a few of the many questions surrounding MUTANT musical culture the first part of the evening will address.
From Tribal Guarachero to Techno, from Juke/Footwork to Kuduro, from Dancehall to Jungle — during the second part of the night 4 MUTANT Djs will sonically demonstrate deep genetic axis of rhythm which connects various bodies of music, while rocking the dance floor with some of the most advanced and innovative dance music in 2014.
21h – 00h talks by Dj Ripley and Dj Zhao
Dj Ripley – “From Jamaica to di World! Musical Identity in a Globally Networked Context”
Dj Zhao – “Rhythmic Mutation and the Evolution of Contemporary Dance and Pop Music”
Panel Discussion / conversations.
00h – MUSIC
Dj Ripley (Dutty Arts / NYC)
mixes music to highlight difference rather than seamlessness. Pulling out familiar songs and sounds from people’s childhood or community, layering them with foreign, distant sounds to make the familiar strange and the strange familiar. Music exists because it crosses borders, literally and figuratively. Physical borders: eardrums, walls, and legal borders: nations, zones. Her main goal is challenge the assumption that difference breeds division and distrust – instead, difference, rupture, foreign-ness is a site of conscious, open-eyed and physical pleasure.
Rafael Aragon (Latino Resiste/Paris)
Rafael Aragón is a latin/arabic rooted musician / dj / composer / producer making mainly club oriented, heavy bass music, yet delicate, maximalist and highly psychedelic. Sweaty dancefloor killers and soulful, enlightened anthems to cheer up and enjoy the beauty of life. With a very special, magic touch inspired by the ancient traditions of shamanism from all around the world. Mystic chimes, ritual drums and witchcraft incantations meet club kicks, filthy basslines and electronic batucada to provide a rich, dancy and psychedelic music for hips and ears!
!! NEW ALBUM dropping on Latino Resiste on july 2nd!! feat. Zee Reach, Ckrono & Slesh, El Malito, Kosta Kostov & many more…
dj zhao (Ngoma Sound / Beijing / Berlin)
brings the best contemporary and classic dance music together from wildly different times and places. Informed of up-to-the-minute global styles from Angolan House to Chicago Juke, and with a deep sense of musical history, Dj Zhao infuses his sets with a deep sense of polyrhythms, whether playing techno at Berghain or Afro-Bass at a tropical event. Fusing ancestral rhythms and urban electronics, Dj Zhao is a poly-cultural ambassador of boom connecting “East” and “West”, acoustic and electronic, traditional and modern.
Futurismo (Futurisms / Jerusalem / Berlin)
is a dreamer. Born and raised in the city of god (Jerusalem) he moved to the city of godlessness (Berlin) while floating on weird sound frequencies. He fuses together electronic sounds – Acid / Bass / Techno / DnB / UK Garage being just a few of the genres he drops into meshes of rhythms and basslines. He’s been running the Futurisms and Cheap Acid nights in the heart of Berlin’s Neukölln district. Futurismo has no soul, but he can dance. Ask him nicely and he will show you how.
From Chicago to Berlin, from Luanda to London, JUJUJUKE 3 brings you up to the minute meta rhythms and mega bass.
DJ and producer Nangdo is channeling the soul of South Side Chicago and making some of the most true-school juke and footwork in Berlin. A true music addict: he has been dj’ing and collecting hundreds and hundreds of records for over ten years now. Also, he created tons of beats in the past eight years. For Nangdo, his productions are all about chopping up sounds of seventies soul, break beats, hip hop ‘or whatever stuff.’
Luc Masera (Antibling/Kick Snare)
With versatile sets Luc has played in nearly every Club of Berlin. His first London Trip inspired him so much, that he changed from Minimal-Techno to all kinds of UK Bass. In 2011 he and four other guys from Berlin Massive started the monthly Antibling : Promassive Party which is today Berlins Filthiest Dubstep Party. Antibling brought Luc Masera to Paris, Switzerland, Bombay, Sao Paulo and to a lot of German Citys and everwhere he plays, he is looking for new inspirations for his DJ Sets.
This time, for the first hour of the night, from 12 – 1am, there will be a very special program of improvised and live sound and video art collaboration between artists in Buenos Aires and Berlin. Dj Zhao will be in a duo with Hidhawk, weaving a strange and transporting tapestry of tape loops, voices from the ether, and ghosts in machines, in real time:
this coming weekend the lovely hills of the White Carpathians will get a heavy dose of psychedelic NGOMA rhythm and bass!
Last weekend in Amsterdam and Utrecht was wicked. Great vibes at the Underground warehouse party i played right after the NL football win, er, i mean SLAUGHTER, agains Spain (sweet revenge for these drunk Dutch people), and lecture and set at Festival Debestuiving.
This how we voodoo, this how we juju:
From Chicago to East London, from Jersey to Berlin, Juju-Juke brings true school rhythm and bass.
Joining us for the first time: Cool Hand Luke straight from Brooklyn will bring true underground club sounds from New Jersey, in addition to the Chicago Tek Life vibes; Congolese/French MC Carmel Zoum will deliver fiery verses on the mic; and Berlin’s own NGHT DRPS wil drp crucial new school bass and footwork.
NGOMA Sound feat. MC Carmel Zoum
NGHT DRPS (Through My Speakers – Berlin)
Cool Hand Luke (Hot Crew 57 – NYC/Chicago)
Dj Zhao (Ngoma Sound – Beijing/Berlin)
at the quality Panke club: http://www.pankeculture.com/
8pm till late / friday night party style
Urban Spree - Revaler Str. 99 (corner Warschauer Str. x Revaler Str.), 10245 Berlin
Nozinja is the South African artist, producer and DJ who has masterminded a 21st century reboot of indigenous folk tradition, Tsonga disco, kwaito and house to create the Afro-futurist dance music dubbed ‘Shangaan Electro’. It’s a sound that has spread way beyond the famous street parties he organises to inspire dancefloors worldwide with its rapid fire rhythms, soulful vocal edits and infectious swing. Fresh off the back of recent touring with Shangaan Electro, now is the moment for the man behind it all to enter the spotlight with his debut album on a Western label plus a brand new Nozinja live show forthcoming.
Nozinja has toured extensively with Shangaan Electro, performing scene-stealing turns at Sonar, Roskilde and Sydney festivals alongside club sessions at the Berghain. Most recently he has curated a festival line up at Paris’s La Gaite Lyrique, devised special dance workshops for all ages and launched his own Nozinja Lodge club night in Dalston.
It was not a BAD party… :)
Out in the streets Out in the streets Out in the streets Out in the streets…
From South Chicago to East London, from Detroit to Berlin, Dj Zhao and friends bring Polyrhythmic Bass Pressure connecting Footwork, Jungle, GhettoTech, and Drum’n’Bass.
Fuck the future, this shit is NOW.
Friday, April 25, 11:00pm
FRIDAY: Panke Gerichtstraße 23, 13347 Berlin, Germany // RSVP HERE
Kepler (Sick Girls, Berlin)
A much revered staple as part of Berlin’s rebel bass crew Sick Girls, Kepler has been defying convention, shaking clubbers out of comfort zones, and kicking major booty since you was in kindergarten. Footwork, Grime, Bass, combined with Gangsta Rap, D’n’B and Digi-Dancehall, Kepler drops all varieties of bass heavy musics with a signature sound: sick style!
Kid Kameleon (Surya Dub, Thump, San Francisco/Berlin)
a Berlin-based performer pushing an eclectic mix of genre-defying bass music, his signature sound is filled with wild and complex drum patterns, head-nodding beats that range from smooth to stuttering, heavy bass and full spectrum synths that tug at your heartstrings.
Dj Zhao (NgomaSound, Beijing/Berlin)
Ancient Futurist Rhythm Ambassador Dj Zhao approaches 21st century urban sonics with a timeless sense of Afro-centric polyrhythms. Connecting diasporic bass and motherland juju, Dj Zhao’s selections and edits fuse wildly different times/places as they murder the dance floor.
Ghettozoid (One4Ho, Houndstooth, UK/Berlin)
Wild style shape shifting feral child of the streets, Ghettozoid switches between London and Berlin, freaks the sub woofers like it ain’t no thang, and drops ill beats as she makes yo mama’s butt work overtime.
SATURDAY: I will rock this real Berlin underground party in a secret location :)
Der Frühling ist da , der Aufstand kommt und wir bewaffnen uns wieder und laden euch ein, mit uns Spatzen nach den Kanonen zu werfen und einen Tanz um den Aprilbaum zu machen. Die ehrlichste Sonne scheint nachts und den freundlichsten Hormonrausch kriegt man mit scharfen Waffen. Also betreten Sie mit uns den Garten der Unsinne, wo die Neurosen zertreten und der Rasen ruiniert wird. Denn Tanzen ist, wenn beide Füße vom Boden kommen ! Garantiert verantwortungslos und genehmigungsfrei. Freshes Frühlingsgeklopfe aus der Schiessbudegärtnerei. Dieses fachkundige Gartenbaupersonal bringt Sie in den Mutterboden:
DJ Zhao ::::::::: Orchideenorchester & Rosenmusik
2kn ::::::::::::::::: Tiefdrucktulpen & Tiefdruckdreck
Mari Mar ::::::: Hartlaubwalzer & Palmenbeat
Mätjes ::::::::::: Stachelbeerentechno
Jony Pony ::::: Frühlingszwiebelsingsang & Krokus-Hop
Damit der Spass auch Ernst macht, gibt es wieder den “Shoot Your Own”-Schiesstand, betreut vom Drunken-Minors-Antikonfliktteam. Drücken Sie ihre Gefühle aus und drücken Sie mal ab. Wer nicht wackelt, gewinnt und die Underdogs dürfen auch zweimal.
location will be released to our mailing system shortly before the event. Register here.
Psssscht! Nicht weitersagen.
Looking forward to jam in this historical Dresden museum tonight!
NGOMA Sound System feat:
Carmel Zoum – MC
Philip Marcel – Percussion
Dj Zhao – Dj
Südafrika kommt nach Dresden – und wir begrüßen die extravagante Kunstausstellung mit Tanz und Kunst bis tief in die Nacht! Die Sonderausstellung in der Kunsthalle im Lipsiusbau „My Joburg“, die gerade mit großem Erfolg in der Pariser Stiftung La Maison Rouge – Fondation Antoine de Galbert präsentiert wurde, zeigt die äußerst
produktive Kunstszene in Johannesburg (Laufzeit: 26. Oktober 2013 bis 5. Januar 2014). Die JUNGEN FREUNDE der Staatlichen Kunstsammlungen feiern diese spannende Ausstellung am Vorabend des Buß- und Bettages mit der Party LIPSIUS VIBES. Bis Mitternacht sind Live-Speaker in der Ausstellung, die mit Euch über „My Joburg“ ins Gespräch kommen wollen, dazu versprechen DJ und Liveact eine aufregende Nacht.
Anlässlich zu LIPSIUS VIBES erklingt im Untergeschoss der Sound der afrikanischen Musikszene, zu dem getanzt werden darf: Kwaito, Kuduro, Soukous. Dazu haben wir das NGOMA SOUNDSYSTEM eingeladen, eine musikalische Einheit, bestehend aus DJ,
Live Instrumenten und Vocals – mal zu zweit, zu dritt oder zu fünft. NGOMA SOUNDSYSTEM spielen traditionell afrikanische-weltliche Rhythmen, urbane Bassklänge und hypnotisch elektrische Töne. Der passende Sound zur Ausstellung, auf den man sich freuen kann.
sorry for the last minute heads up, been too crazy. But let your Parisian friends know, surely to be a night to remember: the premiere of a new series from the basstastique Bazzerk crew, at what many say is the hottest joint in the city on a rooftop with amazing view. Psyched to be playing also with the legendary ambassador of deep French Caribbean groove Hugo Mendez of Sofrito again. Boom!
7 – 9 October, daily from 4 to 9 pm / Täglich von 16 bis 21 Uhr in English
Picnicrecords: Stendaler Straße 4, 10559 Berlin/Moabit
Music is a companion in the trans-African movement display.
Stefanie Alisch, Rangoato Hlasane, Bongani Madondo, Kagiso Mnisi, Garnette Cadogan, Charles Mudede, Kimba Mutanda, Tanka Fonta, DJ Zhao, Alfred Mehnert and others will talk about, play music and touch on relations and shifts in the trans-African space.
Broadcasts and podcasts of the convention will be available on air on REBOOT FM
talks by the other guest speakers are here.
Monday 07.10 – Echoes, back and forth
12:00 am Visit of the exhibition THE SPACE BETWEEN US at ifa-Gallery Berlin
04:00 pm Opening & welcome at Picnicrecords
04:30 – 05:30 pm Rangoato Hlasane & Kagiso Mnisi, Sekele – Bitsa Maphodisa: Street-bash as a marker of space for black youth in post-apartheid South Africa
06:00 – 06:30 pm Garnette Cadogan
Tuesday 08.10 – Writing: about / against /down /with
04:30 – 05:00 pm Charles Mudede, About Drumming
05:30 – 06:30 pm Dj Zhao (Ngoma Soundsystem, Berlin) The vitality of African musical
heritage and its deep connection to music today and tomorrow.
07:30 – 08:00 pm Bongani Madondo, Malombo & Ma-Mlambo
Healer’s Brew:Blues, African Healing Systems and the Punk in JAH’zz
– in discussion with Kagiso Mnisi and Alfred Mehnert, Percussion
Wednesday 9 October – Telling
04:30 – 05:00 pm Tanka Fonta, Being, Music, Confluences & the Evolution of Expressions
05:30 – 06:30 pm Stefanie Alisch, “The future’s what it’s all about” – Broken Beat London
07:00 – 07:30 pm Kimba Mutanda, The personal journey of a Hip Hop artist from Malawi,
told from the meeting point between traditional and modern times
10:00 pm – open end Party – with Rangoato Hlasane, Kagiso Mnisi, Garnette Cadogan, Dj Zhao, Stefanie Alisch, Kimba Mutanda
Music Convention in collaboration with / in Kooperation mit Holger Zimmermann, Picnicrecords, Stendaler Straße 4, 10559 Berlin, www.picnicrecords.com | Diana McCarty, REBOOT FM, http://reboot.fm | After Year Zero, Geographies of Collaboration since 1945, Haus der Kulturen der Welt, www.hkw.de/de/programm/2013/after_year_zero/
THE SPACE BETWEEN US, ifa-Galerie Berlin, 27.9.-22.12.2013 www.ifa.de | | Funded by Auswärtiges Amt, Aktion Afrika | Hauptstadtkulturfonds | Goethe Institut Johannesburg
“Every point is a relay and exists only as a relay. A path is always between two points, but the in-between has taken on all the consistency and enjoys both an autonomy and a direction of its own. The life of the nomad is the intermezzo. Even the elements of his dwelling are conceived in terms of the trajectory that is forever mobilizing them.” – Deleuze & Guattari, Mille Plateux
A musical deterritorialization of consumerist club culture; a rhyzomatic Sonic War Machine destroying all borders and prejudice!!!
SAVVY Contemporary has a new super cool basement space for music and dance, and this will be the first ever party in it :)
Finally after all this time the video is finished! Boom Boom Boom Boom BOOOOOM!!!!
audio: 1 hour studio edit of the complete 3 hour live set:
Burundi drums so ill…
more coming soon :)
this is of course the all time classic from Nigeria, fixed with some additional bass and treble – rocks a modern dance floor like nobody’s business.
Fri. 28/09 —- Disofeng Dobsonville
Sat. 29/09—– Club Ozone (N. West)
Sat. 29/09 — Panyaza (with Zinhle)
Sun. 05/10 -– Panyaza
Sat. 06/10 — Vintage life style (pimville)
Sun. 7/10 -— Mofolo Park Stadium (w/ Nick Holder)
Sun. 7/10 -— Pandora Chesa Nyama (Ekhuruleni)
Sun. 7/10 -— Liquid Chef (Rosebank)
(for a version of this article without so many photos, go to This Is Africa.)downtown Johannesburg
At once after touch-down i noticed the modern, international air of Johannesburg, which looked wealthy and stable; and of the friendly, smartly dressed and hip Africans around me, who seemed as informed as anyone in the East Village or London. But soon a more complex picture emerges.
One’s experience of any city can be of course very different depending on where and with whom you spend time. For the grumpy travel writer Paul Theroux, arriving by bus from Botswana, Joburg was scary; for a media person i met in Berlin prior to the trip it was boring, having experienced only the affluent suburbs; for me, it was charming, exhilarating, sad, endearing, informative, familiar, strange, challenging, inspiring, frustrating, and awesome.(part of the) Paint of Coloured Streets team – bigup bigup bigup bigup!!!!!!!!!!!!!!!dude on the right is kwaito star Professor’s brother.shot of city center (close to business district) from inside a taxi, parked outside of a shop which was blasting Dj Cleo. outside of Chaf Pozi (below), a club/restaurant located underneath and between the 2 painted towers, from which you can also bungee jump.This was a water-testing show… went pretty well, and as an educational experience it was very valuable as afterwards i had a much better feeling for SA crowds.A Chinese person in Soweto must be an extremely rare occurance; and i have been assured that i was the very first to ever enter a local club, not to mention on stage, behind dj decks. Yet the most extreme reaction from strangers to this very odd anomaly were curious glances, welcoming smiles and delightful disbelief before my sets started, and high fives, cries of joy and hugs when my different but surely recognizable sounds begin. Nearly everyone i met were friendly, inclusive, warm, and open minded; the only garden variety asshole who did not shake my hand when offered, rude and almost hostile, was this dj who spun, perhaps not so incidentally, top-40 American Rap. my main dude Mpho. Bongani with a wicked MC Hammer haircut!A soul singer which i regrettably did not end up jamming with… next time! Soweto TV interview, which aired weekend of 29 September. Also did a short interview with CCTV (funny enough they just happened to be at Chaf Pozi because it was National Heritage Day), as well as Channel-O “Basement” show: 1 hour live video mixing, first time manual beat matching in 6 years, classic Kwaito and Mzansi House 1 take at 10am after 3 hours sleep the night before… will be on rotation all over Africa in the coming weeks. this was a rather cheesy club located within a casino, the only mixed crowd i played to during the entire tour.mixed crowd, unified response!Among the live acts was Family Business – sweet and groovy original dance pop, SA’s answer to D’banj and P-Square? 5 hours at the Museum of Apartheid rendered razor sharp the reality of life under the system named by this Afrikaans/Dutch word, a word which was only an abstraction for me before. The systematic oppression and violence against South Africans in every sphere of life continued in broad day light until 1994: slave labor, abject work conditions and low wages; suppression of education and erasure of African culture; lack of health care; forced segregation; forced relocation of entire communities; normalized hunger, disease, depression; routine degradation, humiliation and violence – a system in which “people were arrested, abused, beaten and banished for trifles”. People who fought for equality and justice (including a few coloureds and whites), who were imprisoned, tortured, and murdered by the police, were nothing but Terrorists in the eyes of most world governments, until as recent as 2008 (when Nelson Mandela was finally taken off of the US Terrorism Watch List). Many nations continued to not only tolerate, but collaborate with the “followers of Goebbels” (Nadine Gordimer) which was the Apartheid regime, until the very end.
All such official edifices to crimes of the state against humanity, be it a museum like this or streets named after civil rights leaders, tell 2 big lies at the same time as acknowledge and commemorate. The establishment makes the struggle seem 1. a part of the past, instead of very much ongoing, and 2. a part of itself, instead of its actual enemy in real life, as it has always been, and currently is. As i absorbed the collection of photographs, films, recordings, text, and objects in this museum (yes, owned by a white guy) which document but a tip of the Apartheid iceberg, i kept in mind of the fact that many injustices continue and that the struggle is far from over.
in 2012, 10% of the population in South Africa is white, yet own 90% of the land (info from a director at the Museum), and hold most of the high paying jobs. With the influx of refugees and impoverished immigrants from other African countries, and add to it corrupt politicians, there is a high level of income inequity. And where ever there is uneven wealth distribution, there is of course crime. in Soweto, which is obviously still very poor, it is actually very safe because of tightly knit communities and their brand of tough street justice. In the rich areas it is also relatively safe because of high security. But in the black suburbs between Soweto and city center and many other areas, where i stayed, it is not good to go out alone at night, as muggings, robberies, and car-jackings are fairly common.
During my 3 week stay close to Soweto, besides the malls in city center (Sandton), a cheesy mixed club within a casino, and tourists in the museum, i saw 6 or 7 white people (who comprise 10% of the population), and 0 East Asians (despite there being hundreds of thousands living in the city). In Sandton groups of friends were nearly always of the same ethnic background, and i saw no mixed race couples at all (but many flamboyant pretty boys holding hands, which was refreshing). The separateness of social spheres in Johannesburg along lines of class and race seems, in my estimation, significantly more pronounced than NYC or Paris.The legendary Panyaza is a world famous spot where people eat fresh braai (BBQ) and rock to pumping South African House and Kwaito delivered by a constant rotation of DJs. An outdoor area enclosed by shops under a huge tent holding 1000 people or more, every Sunday the party starts at noon, gets packed by 2pm, and good vibes flow steadily late into the night. The best sets i heard were deep, techy and tribal house: funky, driving, and percussive, sometimes with vocals in Zulu and other languages, and that unmistakeable South African oomph: “woza woza wozawozawozawoza”. The patrons are very picky, and are known to shut DJs down after the first 5 minutes. The music policy basically boils down to the phrase “no mainstream”, but the word must have slightly different meaning than in Europe and America, as a few played tunes infused with Kenny G type smooth jazz, or cliche R’n’B crooning. My set around dusk of mostly classic Ngoma mashups and edits in the 125bpm range, which included Yoruba Ritual Singing, Ghanaian Jazz, traditional South African drumming and Ethiopian funk all underpinned by Afro-House beats and bass, won over not only the crowd but the club owners and resident djs – the booker welcomed me back any time, and told me on Facebook 1 week later that people were still asking about it. Some mistook the Cameroonian, Pigmy derived flutes of Francis Bebey on one of the edits for Chinese music, which was funny but also makes sense: thise flutes do have an unmistakeable East Asian feel. The sun set as the rhythms got heavier – an unforgettable night.
In a place where the parents of people my age nearly all love Kwaito and new House Music (quick to enter into a discussion of Dj Clock’s recent releases, for example), the “underground” and what constitutes it is also different from the West. Without much generational gap or cultural fragmentation, In South Africa the word seems to mostly mean “music which has not yet made it big”, including the freshest sounds in the streets (Sgubu, for instance, is a new breed of house music stemming from the Mujava camp in Pretoria) I was very disappointed to find out, after searches in vain, that distribution channels for such new sounds simply do not exist in Joburg, often the only access is directly from the artists themselves, at their gigs. In a country so rich with rhythmic and musical ideas it is sad to see so little infrastructure, compared to the rows of neatly stacked white label just-out-this-week dance 12 inches in the specialty shops of rhythmically impoverished Europe. In fact Independent record shops are themselves a rarity in Joburg; there are only, often not well stocked, chain outlets. proper party at Club Ozone in North-West Township, a few hours from Joburg – madness! At this i was able to drop the hard and up-tempo crazy bass set (with plenty of NGOMA percussion edits of course), and the place went bananas! This big outdoor event had a “retro” theme, to which some local fashion labels came out to represent. Mixing up traditional African tribal decorative motifs, patterns, and jewelry with classic western designs and contemporary global trends, the funky outfits from chic and elegant to eye-brows raising unusual were just as deliciously creative and wonderfully varied, often as refined and polished, as style on the hippest streets of Tokyo. One girl pulled off a stunning Goth B-girl Lolita Glam outfit the way only an African beauty can, and next to her a handsome dude in a well fitting thin tweed jacket, Keffiyeh and knee high boots, successfully combining professor, outdoorsman, and international hipster protest. But the sad thing is they told me their brand was “Ancient Reality” (which particularly resonates with me), and that all i have to do is google to find contacts — but later when i tried many searches there was not a single mention of them on any web pages at all. (apologize for lack of more and better photos of some of these great outfits, but if you look closely at the photos above, you can see 1 or 2 indications of what i’m on about)
Althought there is a LOT of great music in Joburg, people’s general taste reflects the business and industrial nature of the city: more commercial compared to places like Pretoria or Durban. But much more troubling is that, judging from my new friends who are really into music, other djs and everyone i spoke to, people in Joburg all know and accept mainstream American ( c )rap and generic Euro Ibiza fodder, but have very little to no idea about new movements in other parts of Africa such as Angolan House, Kuduro, Hiplife or Naija; and no exposure to underground sounds from the West such as UK Funky, Juke, or Moombahton (there are now parties which play Dubstep and Drum’n’Bass, usually of the predictable variety). And when it comes to the incredibly varied and bottomless wealth of African traditional music, South Africans generally seem just as ignorant as Europeans or Americans, having never even heard of Soukous (!). And like many Post Colonial theorists have pointed out, the South to South communication lines desperately needs to be opened: South Africans seem entirely disconnected from India or South America: when i mention Cumbia, Tribal Guarachero, Baile Funk or Bhangra, the response is blank stares.
Glossy US exports with high production value is generally valued more than local culture, which is to me, without a doubt, artistically, intellectually, much more sophisticated, beautiful, and rewarding. When i asked for Shangaan music people in the shops all thought it was HILARIOUS, and start to do little sarcastic rump shaking dances. Even though it is clear that they all enjoy it, they have to make fun of the music because it is not “cool” at all, being perceived as rural and backwards – no one knows that in 2011 the Shangaan tour rocked Berlin’s Berghain, one of the top 10 most famous and prestigious dance clubs in all of Europe.
Life in South Africa is saturated with Kanye and Beyonce, Cosby Show and the Fresh Prince, McDonalds and KFC. Agents like these make up the current tide of insidious cultural imperialism, which asserts dominance with pure economic might, while marginalizing, replacing, and destroying local narratives, melodies, and forms. Between 2 reputable book sellers in Joburg, they had exactly 2 books by black South African writers, while Eurocentric versions of history is taught in schools. With the now adult generation largely deprived of higher education under Apartheid, and the quality of the current under funded education system being among the lowest in the world, US hegemonic brainwashing is particularly effective.
Between 2 reputable book sellers in Joburg, they had exactly 2 books by black South African writers. i picked up one of them by Zakes Mda, (the other one being rare and expensive), along with Jay Naidoo, Rian Malan, and several by Nadine Gordimer. Luckily was given a biography of Julius Malema, and found some titles from other parts of the continent: Chimamanda Ngozi Adichie, Osita Okoroafor, Ferdinand Oyono, and Nozip Maraire. What i was told is that books by black authors, especially the conscious, which is to say often outlawed or exiled ones, were never printed in large quantities if not banned altogether, often circulating only in the underground, and many or most remain out of print.
if the world is living in “the long intellectual shadow of the Age of European Empire” (Satya Mohanty), South Africa is reeling in the immediate aftermath of Apartheid. Yet despite ongoing segregation and injustices as well as foreign cultural infestation, vibrant and strong forms of local cultures survive, mutate, and thrive.